Tai Kwun Contemporary (Hong Kong)

Still from “Signal” (2017) by Alison Nguyen and Hemant Sreekumar

Still from “Signal” (2017) by Alison Nguyen and Hemant Sreekumar

October 23, 2018
7-9pm

Tai Kwun Contemporary
10 Hollywood Road
Central, Hong Kong

I’m excited to be showing “Signal”, my collaboration with Hemant Sreekumar, as a part of “Start From Scratch, Not Two Steps Back” curated by Simon Liu. In great company with works by Sky Hopinka, Ross Meckfessel, Erica Sheu, and Simon Liu, among others.

Ann Arbor Film Festival

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March  24th, 2018
7:30pm


Michigan Theater
603 E Liberty St,
Ann Arbor, MI 48104

My video work 'Dessert-Disaster' will be a part of the Ann Arbor Film Festival this year as part of the Films in Competition:
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The Ann Arbor Film Festival is the oldest avant-garde and experimental film festival in North America, founded by George Manupelli in 1963. The six-day festival presents 40 programs with more than 180 films from over 20 countries of all lengths and genres, including experimental, animation, documentary, fiction, and performance-based works.

 

'Dessert-Disaster' Installation at The University of Oklahoma

Dessert - Disaster (2017-2018) - EXCERPT HD video, double-channel installation, color, sound, 4 minute loop A found footage work which compares the parallel cinematic language of dessert commercials with that of ‘disaster porn’ found in the news and on the Internet. The sound, pulled from pedestrian-produced videos of demolitions, disasters, and storms, expresses the contradictions of the contemporary crowd; its insatiable appetite for destruction and arousal; its inattention, its inability to look away; its anxiety and its ecstasy.

March 4 - 10, 2018

The University of Oklahoma
Spotlight Gallery

I'm excited to have a solo exhibition of the double-channel installation version of my video 'Dessert-Disaster' at The University of Oklahoma, where I will be a Visiting Artist from March 4-8, 2018. Alongside the exhibition I will be teaching an Experimental Media course to Art, Technology, and Culture BFA students. 

Artist Residency at Signal Culture

Still from "Death and TV", triple-channel video installation, by Alison Nguyen

Still from "Death and TV", triple-channel video installation, by Alison Nguyen

I will be an artist-in-residence at Signal Culture (Owego, NY) from February 16-23rd, 2018. I'll be focusing on a long-term archival video installation project temporarily titled, “Death and TV.” The piece centers on both banal and fatal televised media from the mid-90’s to present day; I use this material to explore the cultural surrounding, mediated death, and childhood memories. Footage sources include: QVC, news coverage of the Heaven’s Gate cult suicide, soap operas such as Days of Our Lives, news coverage of natural disasters, cartoons, televised Church masses, and UFO sightings. 

“Death and TV” involves my interest in the blur between the mediated self and the actual self. In this project I question how the coming of age of certain televised phenomenons such as home shopping networks and sensationalized violence affected my own coming of age as a child in the 90’s.

BRIC Media Fellowship

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I'm honored to have been awarded the  2018 Media Art Fellowship. I will be using BRIC's facilities and resources to create an installation version of my video 'Dessert-Disaster' and create a new piece temporarily titled 'Death and Television'. 

Other grantees include: Chloë Bass, Mildred Beltre, Sarah E. Brook, Esperanza Cortes, Caroline Falby, Michelle Gevint, David Cutler Kenndy, Jemila MacEwan, Julie Petrusak, Kamran Shahraray, and Pacifico Silano. 

More about us here.

'The Uncertain Archive' at Zumzeig Cine (Barcelona), co-presented by Laboratorio Reversible

Still from 'Jennifer, Where are you?" (1981) by Leslie Thornton

Still from 'Jennifer, Where are you?" (1981) by Leslie Thornton

January 30th, 2018
9pm


Zumzeig Cine
Calle Béjar, 53, Barcelona

Curated by Alison Nguyen
Co-presented by Lab Reversible

http://zumzeigcine.coop/es/portfolio/blitz-8-alison-nguyen-ii/

A screening series of film and video artists whose work subverts the codes of mass media, often appropriating found images. These pieces question the technology that forms our perception of gender, authority, space and history. 

Works include:  Jennifer, Where Are You? by Leslie Thornton, The Truth by LJ Frezza, Domestic Landscape: Eclipse by Sabrina Ratté, Funhouse by Scott Kiernan, The Time That Remains by Soda_Jerk, Danse by Brian Murphy, Beirut Outtakes by Peggy Ahwesh,  Dessert-Disaster by Alison Nguyen,  Eden 2.0 (Episode 1) by Ololade Adeniyi, No Sell Out ... or i wnt 2b th ultimate commodity / machine (Malcolm X Pt. 2) by X-PRZ,  bilateral by Lily Jue Sheng and Trans Trans (Transformers Transformed) by Bradley Eros and Tim Geraghty.