Ungrounded, group exhibition at the International Studio & Curatorial Program (NYC)

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October 8th - December 6th. 2019

Ungrounded is a group exhibition featuring the work of the seven artists in residence in ISCP’s Ground Floor Program. The exhibition considers—from many vantage points—today’s political, social, and ecological urgencies. Works include a compilation of words in need of safeguarding painted by Danilo Correale; Simone Couto’s multimedia presentation of immigrant stories spanning 150 years in 2 x 2; Furen Dai’s two-dimensional work examining global census forms; Mariajosé Fernández-Plenge’s photographic exploration of the fine line between mental illness and compulsive habits in Small Obsessions; Jude Griebel’s latest figurative sculpture highlighting dystopic paranoia; Joshua Liebowitz’ Proof Burdens – No1, an ongoing multimedia project investigating grievance in the United States; and Alison Nguyen’s every dog has its day, a video made with consumer-produced media highlighting the connections between religion, self, and technology.

Artists in the exhibition: Danilo Correale, Simone Couto, Furen Dai, Mariajosé Fernandez-Plenge, Jude Griebel, Joshua Liebowitz, and Alison Nguyen.

Ungrounded is organized by Alexandra Friedman, Programs Associate, ISCP.

More info:
https://iscp-nyc.org/event/ungrounded

International Studio & Curatorial Program's Summer 2019 Open House (NYC)

July 17th, 2019
6-9pm

The International Studio & Curatorial Program (ISCP) announces the second edition of Summer Open House, an evening of live performances and studio presentations.

Summer Open House will include three live performances curated by Hsiang Huang (Curator and CEO, Yu-Hsiu Museum of Art, Taiwan) with assistance from Alexia Pierre. From 6:15-7:00pm, artists Paolo Bini, Joshua Liebowitz and Honkasalo-Niemi-Virtanen will present new performance works outdoors on the loading dock of ISCP. Rhythmic and fluid, the performances are choreographed around three points of entry and exit. Each performance will articulate a new form of exchange and dialogue, engendering audience participation through the use of objects, spoken word or physical gestures.

The 37 artists and curators from 23 countries in residence at ISCP will open their studios to the public from 7-9pm.

Schedule:
6:15-7pm: Performances by Paolo Bini, Joshua Liebowitz and Honkasalo-Niemi-Virtanen
7-9pm: Resident studios open to the public

'Regarding the Wild' exhibition (NYC)

March 3 - March 31, 2019

Opening Reception: Friday, March 8th, 6 - 9PM

One Brooklyn Bridge Place
(waterfront side of) 
360 Furman Street
Brooklyn, NY 11201

Gallery Hours: Saturdays and Sundays 11AM - 6:30PM

Curated by Basia Goszczynska, Regarding the Wild brings together paintings, sculptures, cyanotypes, drawings and a video installation by Nellie Appleby, Matt Arbuckle, Jason Baerg, Heidi Daehler, Jeffrey Heiman, Delphine Hennelly, Jodie Mack, Debby Miller, Alison Nguyen, Sharon Norwood, Ben Pederson, Gabriel Ramos and Alexander Stark.

you can't plan a perfect day sometimes it just happens by Alison Nguyen, Hd video installation, single channel, color, sound, 10'w x 5' 7 1/2"h x 1' 3 3/4"d custom projection screen, 8 minute loop, 2017 - 2019

you can't plan a perfect day sometimes it just happens by Alison Nguyen, Hd video installation, single channel, color, sound, 10'w x 5' 7 1/2"h x 1' 3 3/4"d custom projection screen, 8 minute loop, 2017 - 2019

you can't plan a perfect day sometimes it just happens by Alison Nguyen, Hd video installation, single channel, color, sound, 10'w x 5' 7 1/2"h x 1' 3 3/4"d custom projection screen, 8 minute loop, 2017 - 2019

you can't plan a perfect day sometimes it just happens by Alison Nguyen, Hd video installation, single channel, color, sound, 10'w x 5' 7 1/2"h x 1' 3 3/4"d custom projection screen, 8 minute loop, 2017 - 2019

True/False Film Festival 2019 (Columbia, MO)

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My short video ‘every dog has its day’ will premiere at True/False Film Festival on March 1st at 7:45pm.

https://truefalse.org/program/shorts/

‘every dog has its day’ explores the notions of iconicity, immortality, and terror in consumer-produced media. Drawing from home movies, social media, surveillance, and videos created by religious cults/extremists, the appropriative work explores the porous visual relationships between domestic intimacy, terror and technology.

"...agitation, irritation, self-reflexivity, random acts of violence, narcissism, feedback loops of constructed selves, instant history and cultural amnesia all collide in mirror-play, pseudo-remembrance and denial." 
-Bradley Eros