Alison Nguyen

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Alison Nguyen

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Change Order

Installation

About the work

Change Order is a film that does not involve a film; but rather everything around it. A micro-history of a warehouse in Glendale, Queens threads through the work, questioning ideas surrounding means of productions; value; and the re-distribution of value.

When you look into a building you can see a world.The artist's friend Serena Chang has her studio and art production business in part of the warehouse; in the second half of it her family runs their family hosiery business, Sheerly Touch-ya. Serena’s father, James Chang started the New York-based hosiery business in the 1990s shortly after immigrating from Taiwan. Up until his recent retirement, the business was a true family endeavor: James designed the packaging and graphics himself by hand. Some of the products were shot on models in Taiwan, others James shot himself in the business’ warehouse in Glendale, Queens.

When Nguyen began working with Serena Chang on material for Change Order for an exhibition at the Whitney Independent Study Program, she asked her for images and documents from the archive of her family hosiery business that are outside of the final packaged products that line the shelves of dollar stores in New York. This material, conserved by the artist and Whitney resources, in conversation with material from Shisanwu’s art production archive, create a portrait of a place in which issues surrounding immigration, labor, aesthetics, and authorship change and shift, their complexity never easily resolved.

Medium

Installation

Materials / Elements

35mm slides, auto advance slide projector, text, found objects

PVC curtains, steel frames, silkscreen prints on hand-dyed paper

Venue / Context

Year

The Whitney Independent Study Program, Westbeth Gallery, NY

2024

Credits

Archival collaboration

Serena Chang